The Tower Theater opened in 1927 on North Broadway in Uptown, a period when Oklahoma City's downtown corridor still concentrated wealth, culture, and social life within walking distance. Today it stands as a functioning cinema and occasional live-performance venue, one of the few pre-Depression theaters in Oklahoma City that never closed permanently. This guide covers what the Tower actually is, what separates it from other screening options in the city, and what to expect if you plan to attend.
The Tower is a Moorish Revival structure with a distinctive minaret visible from several blocks away. The interior retains original plasterwork, ornate ceiling details, and a balcony level, though the space has been altered repeatedly since the 1920s. It functions primarily as a single-screen cinema operated by independent management, not by a multiplex chain.
This distinction matters. The Tower does not show mainstream releases on their opening weekends. Instead, it operates as a second-run theater, showing films weeks after their wide release, typically at $5 to $7 per ticket for evening shows. This pricing is substantially lower than the $12 to $15 charged at Regal or AMC locations in the metro area. The trade-off is timing and selection: you will not see Marvel films on their premiere Friday, but you will pay half the price to see them later, with a more deliberate, less crowded audience.
The theater also hosts live events: local performing arts organizations rent the space for theatrical productions, dance performances, and concerts. The Oklahoma City Philharmonic has used it; smaller theater companies book it for limited runs. These events are infrequent enough that attending requires checking the venue's schedule in advance rather than assuming something will be running.
The Tower sits on North Broadway in Uptown, a district that has experienced significant investment and demographic shift since 2010. Nearby are the Paseo Arts District to the west (concentrated on Paseo Drive, roughly six blocks away) and the Plaza District to the south and east (anchored by the intersection of NW 23rd and Meridian Avenue). This means the Theater sits within walking distance of galleries, independent restaurants, and vintage shops, but it is not at the geographic center of either arts district.
Parking is street-level and metered; there is no attached lot. Nearby surface lots charge $2 to $3 for evening parking. This differs sharply from multiplex theaters at Bricktown Marketplace or Penn Square Mall, which offer free parking as part of their design. For a date night or casual outing, the difference between walking from a lot and parking within 100 feet matters enough to factor into planning.
Oklahoma City has three primary cinema categories, and the Tower occupies a specific niche within them.
Multiplex chains (Regal at Penn Square, AMC at Bricktown): first-run releases, 8 to 14 screens, $12 to $15 tickets, stadium seating, free parking, no character. The standard choice for seeing new releases during opening weekends.
The Tower: second-run releases, one screen, $5 to $7 tickets, vintage seating and décor, metered street parking, occasional live events. Best for budget-conscious filmgoers, people interested in architectural history, or those willing to wait weeks to see a film in an intentional setting rather than a multiplex.
Specialty venues and film series: The Woody Grill and Bar sometimes screens classic films; the Oklahoma City Museum of Art and occasional spaces in Midtown host documentary screenings and retrospectives. These are irregular and announce through individual organization websites.
The Tower is the only option that combines consistently scheduled, accessible second-run cinema with a preserved historic building. If you want to see a recent commercial film at a significantly lower price point and do not need opening-weekend timing, the Tower delivers this without requiring you to attend a special film series or seek out a one-off screening event.
The original marquee and lobby set expectations immediately: this is not a modern theater. The balcony remains open during some screenings, creating spatial variety. The sound system is adequate but not Dolby or THX certified; some viewers appreciate the reduced sonic assault, others find it dated.
The audience skews older and smaller than multiplex crowds. A 7 p.m. showing of a second-run title might draw 20 to 40 people, compared to 150 to 300 at a new release at Penn Square. This affects the social texture of the experience: less noise, shorter concession lines, and less of the ambient chaos that multiplex cinemas now require you to tolerate.
Concession pricing is standard to slightly above average (popcorn and soda roughly $10 to $13 total), so the price advantage of the ticket does not extend to candy and drinks.
The Tower's schedule is not broadly advertised beyond its website and occasional coverage in local arts calendars. Email subscription or regular website checks are necessary to know what is showing, when showtimes occur, and whether live events are scheduled. The theater's website lists current screenings and accepts advance ticket purchases for some shows.
Uptown's character has shifted significantly toward residential development, particularly along North Broadway itself. This means the neighborhood has good evening walkability in the immediate area (restaurants and shops are present), but it is not as dense as Bricktown or as curated for tourism as the Paseo. Plan to arrive with a meal or drink option in mind; do not assume you will improvise dining nearby.
For groups, the balcony can be partially reserved, which differentiates it from multiplex options and makes it a practical choice for theater companies, school groups, or large film clubs seeking an affordable, distinctive venue. Contact the theater directly for group arrangements.
The Tower Theater is a legitimate cinema option, not a museum or novelty. Choose it when you want to see a film weeks after release, prefer lower ticket prices, value the architecture and social atmosphere of a single-screen theater, or need a live performance space with character. Skip it if you need current releases on opening weekends or require the technical specifications and seat comfort of a modern multiplex.
