Hastings Book Music & Video operates as a used and new media retailer in Oklahoma City, stocking CDs, DVDs, Blu-rays, vinyl records, and books across multiple genres and decades. The store sits in a retail landscape where national chains have consolidated or closed, making it one of the few remaining independent destinations for people seeking physical music and video inventory without ordering online.
Hastings functions as a general media buyer and seller, not a specialty shop. The inventory spans mainstream and niche categories: new releases across pop, country, rock, and hip-hop; used CDs priced lower than new; DVD and Blu-ray films organized by genre; a vinyl section for collectors; and a book section ranging from fiction to reference. The store buys used media from customers, which supplies much of its resale stock and creates price variation depending on condition and demand.
New CDs typically retail between $12 and $16, slightly above streaming-era expectations but aligned with national pricing. Used CDs range from $3 to $8 depending on condition, rarity, and whether the artist remains in-demand; a worn 1990s alternative rock CD costs less than a mint copy of a contemporary reissue. DVDs and Blu-rays follow similar logic: new releases run $10 to $20, used inventory $2 to $8. Vinyl records, if stocked, command higher prices reflecting collector demand and scarcity.
The strength lies in back catalog depth. If you're hunting a specific CD from five years ago or a hard-to-find DVD, Hastings' buying model means the odds of finding it are higher than at most retailers. New releases appear reliably, but the used section is where regular inventory shifts and bargains emerge.
Target and Walmart stock new CDs and DVDs but maintain minimal selection, typically 50 to 100 titles per category focused on current chart items. Hastings carries several hundred across all formats. Vintage Stock, a regional used media chain with Oklahoma City locations, operates on a similar model but emphasizes used inventory and video games more heavily than Hastings does; if you're buying primarily used media, Vintage Stock may have deeper stock in specific genres, while Hastings balances new and used in one trip. Online retailers like Discogs (peer-to-peer vinyl and rare CDs) and eBay offer wider selection but require shipping time and provide no immediate browsing experience. Hastings suits someone who wants to walk in today and leave with a specific album or film without a three-to-five-day wait.
Hastings works well for collectors rebuilding a physical library, people who prefer owning rather than streaming, bargain hunters willing to dig through used bins, and browsers who enjoy physical browsing over algorithmic recommendation. It does not serve customers seeking the absolute lowest prices (used online marketplaces undercut in-store pricing on rare items) or those who want current chart hits only (department stores stock those cheaper). Parents buying gifts for teenagers who use streaming exclusively will find the selection less relevant than it was ten years ago.
Walk into the store and you'll encounter organized sections by media type and genre. CDs and vinyl occupy the front half; DVDs and Blu-rays line the back. A used bin near the counter holds clearance stock. Staff can direct you to specific titles or eras but cannot special-order items not in stock; if Hastings doesn't have it, you move to the online search. Browsing takes 20 to 45 minutes depending on how deep you dig. Checkout is straightforward; if you're selling used media, staff will examine condition and make an offer on the spot, though bulk sales require time for evaluation.
Verify current hours before visiting, as retail hours shift seasonally and by location demand. Parking is typically street-side or attached lot depending on the shopping center. The store occupies a visible retail footprint, usually in a secondary shopping area rather than a mall, so access is direct and straightforward.
Hastings represents continuity in a retail sector that contracted sharply when streaming became dominant. For collectors, people who reject subscription models, and bargain-conscious media buyers, it remains a functional alternative to online-only purchasing and a place where tangible discovery still happens.
