All They See is a 3,500-square-foot production studio and rental house in Oklahoma City that specializes in equipment checkout and indoor shooting space for independent filmmakers, commercial producers, and corporate video teams working on budgets that don't support major studio day rates.
All They See operates as a hybrid: part equipment rental library, part shoot-ready studio. The facility houses cinema cameras (including RED and Sony lineups), lighting kits, grip gear, and audio packages available for daily, weekly, or monthly rental. The studio floor itself consists of one 1,200-square-foot main stage with 16-foot ceilings, cyclorama wall, and lighting grid, plus a smaller 400-square-foot shooting space suited to interviews, product shots, and tight scenes. Unlike equipment-only rental houses, the operation allows producers to rent the studio independently or bundle it with gear, cutting down on the number of vendors a small team must coordinate. The space sits on the northeast side of the city, in a light industrial pocket near Penn Avenue, positioned to serve Oklahoma City's growing commercial production market without competing directly with Dallas or Kansas City studios on scale or hourly prestige pricing.
Daily camera packages start at $75 for entry-level DSLRs and $350 to $550 for cinema cameras depending on body and lens assortment. Lighting kits range from $100 (basic LED panels) to $400 (full HMI or tungsten rigs). Grip packages (tripods, dollies, jibs) run $50 to $250 per day. Audio kits, including wireless mics and recorders, cost $60 to $150 daily. Week-long rentals typically discount 30 to 40 percent off daily rates; monthly rentals can reach 50 percent savings. Studio rental alone is $150 per hour, $800 per 10-hour day, or $2,400 per week. Prices should be confirmed directly, as inventory and promotional rates shift seasonally. The facility does not charge equipment delivery fees within Oklahoma City proper, though out-of-city pickups incur a mileage surcharge.
Oklahoma City has no other full-service studio with integrated equipment rental under one roof. Cathedral Films, located downtown, operates as a production company and post-house; they rent some gear but do not maintain a dedicated studio shoot space available to outside producers on an hourly basis. Rembrandt Studio, in Bricktown, offers a 1,800-square-foot space but does not include equipment rental and charges $200 per hour. For equipment-only rental, local options include Camera Ready (focused on ENG gear for news crews, smaller cinema selection) and a handful of ad-hoc rentals through production services. All They See's advantage is consolidation: a solo filmmaker or small agency can walk in, grab a camera and lights, shoot on the stage, and leave without juggling three separate vendors. The trade-off is that the Oklahoma City facility lacks the redundancy and deep inventory of Dallas studios like Woodshed Studios, which maintains multiple fully-lit soundstages and higher-end cinema packages, though those require travel and Dallas-scale day rates ($2,000 to $5,000 per stage per day).
All They See works best for commercials, corporate videos, web content, indie films, and music videos produced by teams comfortable operating their own equipment or with a cinematographer on staff. It suits producers who want to control their gear and schedule without renting through a full-service production company. It does not suit productions that demand in-house grips, gaffers, or line producers, or crews accustomed to equipment redundancy and 24-hour support. It is a poor fit for shoots requiring greenscreen work (the cove wall is a simple cyc, not a full greenscreen) or for producers expecting a build-out capable of matching high-end commercial production values.
Renters typically call or email to reserve equipment and studio time, provide a short description of the shoot, and confirm credential and deposit requirements. Most first-time renters complete a brief paperwork check-in on arrival, covering gear condition and damage waiver terms. The facility offers a 15-minute walk-through of the studio layout, lighting grid, and power distribution. Equipment is signed out and tested on premises; staff can answer basic technical questions but do not provide on-set support.
All They See operates Monday through Friday, 9 a.m. to 6 p.m., with limited weekend availability by prior arrangement. The facility has eight dedicated parking spaces in a shared lot; street parking is available on Penn Avenue. The address should be confirmed on booking, as location details are subject to change. Oklahoma City's lack of public transportation makes a vehicle essential for equipment pickup.
All They See fills a genuine gap in Oklahoma City's production infrastructure: it lets small crews stay local and self-sufficient instead of driving to Dallas or renting through full-service shops that bundle services they do not need.
