Tapiseria Flores is a family-run upholstery shop specializing in frame-up reupholstery of vintage, antique, and mid-century pieces, operating in Oklahoma City with a focus on hand-stitching and period-accurate restoration rather than quick commercial reupholstery.
This is a full-restoration upholstery operation, not a quick-turnaround commercial shop. The business takes apart furniture to the frame, rebuilds springs and webbing where needed, and reupholsters using traditional techniques. The work suits collectors and homeowners restoring inherited pieces or period furniture, rather than someone needing a sofa recovered in two weeks. The shop handles chairs, sofas, benches, ottomans, and occasionally custom pieces, with particular strength in mid-century modern and older traditional furniture where structural integrity matters as much as aesthetics.
Full reupholstery pricing depends on frame condition, fabric choice, and complexity. A typical dining chair runs $400 to $800; a two-cushion sofa typically ranges $1,200 to $2,500; a wingback chair or club chair falls in the $900 to $1,600 range. These figures assume standard fabric and no hidden frame damage. If the frame requires rebuilding, springs need replacement, or the piece has intricate details like button tufting or welting, costs rise. The shop charges for fabric separately from labor; clients can supply their own material or choose from the shop's available options. Estimate prices are usually waived if you proceed with the work. Turnaround is typically 6 to 10 weeks depending on the queue and complexity.
Oklahoma City has several upholstery choices serving different needs. Commercial shops like those attached to furniture stores or franchise operations prioritize speed and volume, often completing work in 3 to 4 weeks at lower price points (typically $300 to $800 for a chair). These shops are appropriate for newer furniture or pieces where the frame is solid and cosmetic recovery is the only goal. Tapiseria Flores differs in refusing to cut corners on frames or structure; they will rebuild a broken frame or replace springs even if that adds weeks and cost. A second local alternative, smaller independent shops, may offer similar philosophy but often operate with less transparency on pricing and longer communication delays. Choose Tapiseria Flores if your piece is antique, has sentimental value, or has structural issues that matter; choose a commercial shop if you need speed and the furniture frame is already sound.
This shop suits collectors, estate executors, and homeowners with inherited or mid-century furniture they want preserved properly. It also works well for people willing to wait and invest in pieces they plan to keep long-term. It does not suit someone on a tight budget, needing work in under a month, or recovering newer production furniture where frame quality is already compromised by manufacturing. It is not the right choice for someone treating upholstery as a quick refresh; it is the choice for restoration.
Bring the piece or high-quality photos and measurements if the piece is large. Describe any structural issues you have noticed: loose joints, sagging, worn springs, or frame damage. The shop will assess the frame condition and discuss fabric options. You can bring samples of fabric you like, ask about durability and cleaning codes (performance fabrics cost more but wear better), and discuss details like button placement, welting, or trim. An estimate will specify the scope of frame work, labor, and total cost before work begins. Most customers leave a 50% deposit; final payment is due when the piece is ready for pickup.
Confirm current hours before visiting; upholstery shops often keep limited schedules. Street or lot parking is typically available. The shop accepts drop-off for large pieces. Pickup is by appointment once work is complete. If you are sourcing your own fabric, ask about yardage requirements and lead time; some specialty fabrics take weeks to arrive.
Tapiseria Flores fills a specific role in Oklahoma City's furniture landscape: it is the place to go when a piece matters enough to do it right, and when the object itself, not just the fabric, deserves to be preserved.
